Wife-and-husband architectural team Mette Aamodt and Andrew Plumb rendered the vision a reality. The duo realized that scooping out the shell, including the second floor and attic, would leave exactly what Jacobs and Ganz were looking for. “There are two gabled roof forms, one that runs east-west and another that runs north-south,” Plumb says. “That meant we could have two double-height spaces perpendicular to each other.”
Excavating the inside of a building is easier said than done. While the red brick chimney could be dismantled with little problem, eliminating a good portion of the second story would require backup. “The floor does a lot of work to stitch a house together,” Plumb explains. “You can’t just take it away and be done.” Steel ties were inserted to stabilize the roof and steel lintels went up to support the walls.
The main living space is now the central atrium the couple imagined. It soars to 22 feet at its peak and light pours in from nearly every direction. The architects matched an existing sky-high dormer window facing the street with a copycat opening on the wall across from it, which opens into the second-floor den. They also made a cutout in the wall above the stairs that peeks into the master suite. “The idea was to create these specific moments of connection between spaces,” Plumb says.
The living room melds into the kitchen at the back of the house. At Ganz’s suggestion, a 12-foot bi-fold door visually connects the space to the deck, patio, and plunge pool. In the interest of keeping sightlines clear, cabinetry and appliances are pushed to the side. “A kitchen has all this stuff that screams, ‘I am a kitchen!’” Plumb says. “It’s important that a kitchen be quiet in an open space, especially here where you look through it to the outdoors.”
To imbue the dining area with its own sense of space and character, Plumb lined the ceiling with white oak tongue-and-groove boards. He also designed a slatted white oak screen as a backdrop. “Neil wondered if the ceiling would be high enough, but a contrast in scale is a good thing,” Plumb says. “It makes smaller spaces cozier and larger spaces more impressive.” The purpose of the screen, which Jacobs calls, “Andrew’s greatest moment,” is threefold. Functionally, it shields the stairway to the master suite. Visually, it adds interest. Mentally, it also soothes the mind. “Textured surfaces slow down the eye and makes things feel calm,” Plumb says.
The stairs behind the screen lead to the mezzanine, which is Ganz’s favorite spot. “If you want to find Eric, he’s always on one of those swivel chairs on the mezzanine, reading the paper on his iPad or looking at the water,” Jacobs says. Three steps up is the den, which can be shut off by pocket doors to act as an office or guest room.
The cathedral-ceilinged, loft-style master suite can be accessed through the den or by the stairs off the living room. A floating wall separates the bath from the bedroom, leaving it open to the sleeping space. This wasn’t always the design. “Our bedroom didn’t feel quite special enough, so we adapted the concept from hotels we’ve stayed in,” Jacobs says.
Every space is now well-edited and airy. “It took some thinking to see a new future for the house,” Plumb says. “I can’t believe this came out of it.”
Architect: Aamodt / Plumb Architects, aamodtplumb.com
Landscape designer: Soren deNiord Design Studio, sorendeniord.com
Contractor: C.H. Newton Builders Inc., chnewton.com
Marni Elyse Katz is a regular contributor to the Globe Magazine. Send comments to [email protected]